The beginning of a complex -- Aycock on her family: facts into myths -- Incarnating thought as baby boomer, cold war soldier, and '60s radical -- From minimalism to the future -- Cresting the minimalist/postminimalist divide -- M.A. thesis: the highway network -- Early work: projecting art into viewer's spaces and the world, the aesthetics of danger, and the synergy of 112 Greene Street -- Maze, 1972 -- Low building with dirt roof (for Mary), 1973 -- Feminism -- Drawing on patriarchal order while deflecting it -- Architectural sculpture -- Site specificity -- Architectural sculpture as suprastruction -- Borges's tear and Aycock's rip -- The true and the false project: embodied and disembodied seeing: phenomenology and schizophrenia -- "The beginning of a complex ... ": for documenta -- Writerly texts and schizophrenia -- Virtual space, medieval legacies, and architectural sculpture -- From architectural sculpture to The machine that makes the world -- How to catch and manufacture ghosts -- The art of memory in the age of artificial intelligence -- Enmeshed in wisdom's nets -- Sophistry and postmodernism.