Early Internet art -- Participation in public spaces -- Russian Internet art scene -- New vocabularies -- Travel and documentary modes -- Net.art -- Cyberfeminism -- Corporate aesthetics -- Telepresence -- Isolating the elements -- Email-based communities -- Exhibition formats and collective projects -- Browsers, ASCII, automation and error -- Parody, appropriation and remixing -- Mapping authorship -- Hypertext and textual aesthetics -- Remodelling bodies -- New forms of distribution -- Sexual personae -- Themes in Internet art -- Infowar and tactical media in practice -- Turn of the millennium, war and the dotcom crash -- Data visualization and databases -- Games -- Generative and software art -- Open works -- The crash of 2000 -- Art for networks -- Voyeurism, surveillance and borders -- Wireless -- E-commerce -- Forms of sharing -- Video and filmic discourses -- Low-fi aesthetics -- 'art for networks'.