by
Blackford, Russell, 1954-
Format:
Books
Publication Date
2013
Excerpt:
Introduction -- What is atheism? -- Atheist living-- Atheism, ethics, and the soul -- Name calling
by
Gannon, Martin J.
Format:
Books
Publication Date
2013
Excerpt:
Contents note continued: The Russian Soul -- pt. VIII THE BASE CULTURE AND ITS DIFFUSION ACROSS
by
Recco, Gregory.
Format:
Books
Publication Date
2013
Excerpt:
Philosophy in Book 9 of Plato's Laws / Catherine Zuckert -- 13."A Soul Superlatively Natural": Psychic Excess
by
Pappas, Nickolas.
Format:
Books
Publication Date
2013
Excerpt:
.Injustice in the soul and in the city (Books 8-9) -- Degenerate forms of the city and the soul (544a-576a
by
Okai, Atukwei, 1941- author.
Format:
Books
Publication Date
2013 2008
Excerpt:
stoolroom of the soul -- The guillotine of time: fanfare for the uncommon woman -- Fanfare for cabral
by
Brabazon, Tara.
Format:
Books
Publication Date
2012
Excerpt:
.Genre And Community -- Country -- Folk -- The Blues -- Rock and Roll -- Soul -- Reggae and Ska -- Salsa
by
Hansen, Thomas Blom, 1958-
Format:
Books
Publication Date
2012
Excerpt:
: the Charou soul and the instability of belief -- Postscript: Melancholia in the time of the "African
by
Davis, Gerald F. (Gerald Fredrick), 1961-
Format:
Books
Publication Date
2011 2009
Excerpt:
Corporate Governance -- 3.From Institution to Nexus: How the Corporation Got, Then Lost, its Soul -- 4.From
33.
by
Short, Sue, 1968-
Format:
Books
Publication Date
2011
Excerpt:
Cycles, sub-genres and cyborg cinema -- Body and soul : a history of cyborg theory -- Food for
by
Chomsky, Noam.
Format:
Regular print
Publication Date
2010
Excerpt:
Pt. I. Chomsky -- 1. The Mysteries of Nature: How Deeply Hidden? -- 2. The Great Soul of Power
by
Griffith, Paul A., 1952-
Format:
Books
Publication Date
2010
Excerpt:
The limbo: ritual reentry into history -- Shipwrecked in the Middle Passage: limbo as agon of soul
by
Grodal, Torben Kragh.
Format:
Books
Publication Date
2009
Excerpt:
Transient Body, and the Permanent Soul -- 10. Subjective Aesthetics in Film -- II. The Experience of
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