form of cinematic melodrama have often been understood as positioning themselves outside history, and

Form: Reflections on the Dialectic of Roguery / Roberto Schwarz -- ch. 11 Marxism and Melodrama / Bruno

Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- From iconicity to semiotic

Horror -- 6. Sadness, Melodrama, and Rituals of Loss and Death -- Pt. II. Narrative,Visual Aesthetics

existentialist melodrama -- 5. Freedom and flirtation: the personal and the philosophical in Sartre and Beauvoir

-- An angel at my table: making oneself a "first person" -- The piano: surrealism, melodrama, and

: forming the story. The melodrama -- The docudrama -- The hyperdrama -- The experimental narrative -- Part

with Genre I Working with Genre II: The Melodrama and the Thriller Working Against Genre Reframing the

1. The Melodrama of Fassbinder's Reception -- 2. Engineering a Democracy through Autorenfilm: The