Machine generated contents note: pt. I History and Contexts: From Image to Sound -- 1.Literary Adaptation in the Silent Era / Judith Buchanan -- 2.Writing on the Silent Screen / Gregory Robinson -- 3.Adaptation and Modernism / Richard J. Hand -- 4.Sound Adaptation: Sam Taylor's The Taming of the Shrew / Deborah Cartmell -- pt. II Approaches -- 5.Adaptation and Intertextuality, or, What isn't an Adaptation, and What Does it Matter? / Thomas Leitch -- 6.Film Authorship and Adaptation / Shelley Cobb -- 7.The Business of Adaptation: Reading the Market / Simone Murray -- pt. III Genre: Film, Television -- 8.Adapting the X-Men: Comic-Book Narratives in Film Franchises / Martin Zeller-Jacques -- 9.The Classic Novel on British Television / Richard Butt -- pt. IV Authors and Periods -- 10.Screened Writers / Kamilla Elliott -- 11.Murdering Othello / Douglas M. Lanier -- 12.Hamlet's Hauntographology: Film Philology, Facsimiles, and Textual Faux-rensics / Richard Burt --

Contents note continued: 13.Shakespeare to Austen on Screen / Lisa Hopkins -- 14.Austen and Sterne: Beyond Heritage / Ariane Hudelet -- 15.Neo-Victorian Adaptations / Imelda Whelehan -- pt. V Beyond Authors and Canonical Texts -- 16.Costume and Adaptation / Tamar Jeffers McDonald -- 17.Music into Movies: The Film of the Song / Ian Inglis -- 18.Rambo on Page and Screen / Jeremy Strong -- pt. VI Case Studies: Adaptable and Unadaptable Texts -- 19.Writing for the Movies: Writing and Screening Atonement (2007) / Yvonne Griggs -- 20.Foregrounding the Media: Atonement (2007) as an Adaptation / Christine Geraghty -- 21.Paratextual Adaptation: Heart of Darkness as Hearts of Darkness via Apocalypse Now / Jamie Sherry -- 22.Authorship, Commerce, and Harry Potter / James Russell -- 23.Adapting the Unadaptable - The Screenwriter's Perspective / Diane Lake.