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577. 
Cover image for Toni Morrison, Beloved
by 
Morrison, Toni.
Format: 
Books
Publication Date 
2000
Excerpt: 
Morrison, Toni -- Criticism and interpretation.
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578. 
Cover image for The just
by 
Ricœur, Paul.
Format: 
Books
Publication Date 
2000
Excerpt: 
: according to Hannah Arendt -- Interpretation and/or argumentation -- The act of judging -- Sanction
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579. 
Cover image for Philosophy and freedom : Derrida, Rorty, Habermas, Foucault
by 
McCumber, John.
Format: 
Books
Publication Date 
2000
Excerpt: 
Foucault, Michel -- Criticism and interpretation.
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580. 
Cover image for Transformations in slavery : a history of slavery in Africa
by 
Lovejoy, Paul E.
Format: 
Books
Publication Date 
2000
Excerpt: 
history." "The book corrects the accepted interpretation that African slavery was mild and resulted in the
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581. 
Cover image for Sex, social purity, and Sarah Grand
by 
Grand, Sarah.
Format: 
Books
Publication Date 
2000
Excerpt: 
Grand, Sarah -- Criticism and interpretation.
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582. 
Cover image for 10,000 dreams interpreted
by 
Ball, Pamela, 1940-
Format: 
Books
Publication Date 
2000 1996
Excerpt: 
Dream interpretation.
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Format: 
Books
Publication Date 
2000
Excerpt: 
historians to give a comprehensive description and interpretation of the last artistic century. Concise
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584. 
Cover image for Midfielder's moment : coloured literature and culture in contemporary South Africa
by 
Farred, Grant.
Format: 
Books
Publication Date 
2000
Excerpt: 
Nortje, Arthur, 1942-1970 -- Criticism and interpretation.
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by 
Sanders, James, 1963-
Format: 
Books
Publication Date 
2000
Excerpt: 
Manipulation -- 9. Interpretation.
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586. 
Cover image for The turn of the screw : authoritative text, contexts, criticism
587. 
Cover image for Derrida and the end of history
by 
Sim, Stuart.
Format: 
Books
Publication Date 
1999
Excerpt: 
Derrida, Jacques, (1930-2004) -- Critique et interprétation.
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588. 
Cover image for Television and new media audiences
by 
Seiter, Ellen, 1957-
Format: 
Books
Publication Date 
1999 1998
Excerpt: 
domestic sphere and the classroom, the relationship between gender and genre, and the varied interpretation
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